Apex Type Foundry

Regular,  Italic

BELA LUGOSI

THE HUNGER

Vlad the Impaler

Jonathan Harker

Creatures of darkness

The Undead Shall Rise

Interview with the Vampire

What We Do in the Shadows

I sometimes think we must be all mad and that we shall wake to sanity in strait-waistcoats.

No man knows till he has suffered from the night how sweet and dear to his heart and eye the morning can be.

It is a strange world, a sad world, a world full of miseries, and woes, and troubles. And yet when King Laugh come, he make them all dance to the tune he play. Bleeding hearts, and dry bones of the churchyard, and tears that burn as they fall, all dance together to the music that he make with that smileless mouth of him. Ah, we men and women are like ropes drawn tight with strain that pull us different ways. Then tears come, and like the rain on the ropes, they brace us up, until perhaps the strain become too great, and we break. But King Laugh he come like the sunshine, and he ease off the strain again, and we bear to go on with our labor, what it may be.

Oh, my dear, if you only knew how strange is the matter regarding which I am here, it is you who would laugh. I have learned not to think little of any one’s belief, no matter how strange it may be. I have tried to keep an open mind, and it is not the ordinary things of life that could close it, but the strange things, the extraordinary things, the things that make one doubt if they be mad or sane.

Married for centuries and now living half a world apart, two vampires wake as the sun goes down. Adam sits holding a lute, in his cluttered Detroit Victorian mansion, as Eve wakes up in her bedroom in Tangier, surrounded by books. Rather than feeding on humans directly, they are dependent on local suppliers of the “good stuff”, for fear of blood contaminated by the 21st century environment. Adam, still a famous musician, also fears exposure, visiting a local blood bank in the dead of night in disguise as “Dr. Faust”, bribing “Dr. Watson” for his coveted O negative. Eve relies on their old friend, the author Christopher Marlowe, who faked his death in 1593 and now lives under the protection of a protégé. Despite having influenced the careers of countless famous musicians and scientists, Adam has become withdrawn and suicidal. His desire to reconnect through his music is at odds with the danger of recognition as well as his contempt for the corrupt and foolish humans he refers to as zombies. He spends his nights recording his compositions on outdated studio equipment and lamenting the state of the modern world, while collecting vintage instruments. He pays Ian, a naïve young music fan, to procure vintage guitars and other assorted curiosities, including a custom-made wooden bullet with a brass casing he thinks of using to kill himself. Having acquired much scientific knowledge over the years, Adam has built contraptions to power his home and a vintage sports car with technology originally pioneered by Nikola Tesla. His reclusive nature adds to his mystique as a musician and composer; he is upset when some intrepid fans turn up on his doorstep. Ian promises to discreetly spread rumours about Adam living elsewhere to draw them away. When Eve phones, she recognises Adam is despondent and decides to come to Detroit to comfort him. Soon after she arrives, Adam goes out for more blood, and she discovers his revolver hidden under the bed with the wooden bullet. Her vampire senses reveal to her that the bullet is new, and she is worried. Eve confronts Adam when he returns, chiding him for wasting the life and opportunities he has to enjoy and appreciate the good things in the world, as well as their relationship. They spend their nights cruising the empty streets of Detroit, listening to music and playing chess. Their idyll is shattered by the arrival of Eve’s younger sister, Ava, who gorges herself on their stash of the good stuff. Hungry for excitement, Ava persuades them to go out to a local club with Ian, where they hear Adam’s music played by the band White Hills. Ava offers Ian a hit off the flask she secretly filled with blood and brought to the club, but Adam snatches it from her with supernatural speed and insists they leave. Before dawn, Ava accidentally kills Ian by drinking too much of his blood, for which Adam kicks her out of the house.

Informations

The following OpenType features are included in this font:

aalt c2sc calt case ccmp cpsp dlig dnom frac hist kern liga lnum locl numr onum ordn pnum sinf smcp ss01 ss02 ss03 subs sups tnum zero

Glyphset

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Small Capitals

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Accented Uppercases

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Accented Lowercases

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Ligatures

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Diacritics

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Case sensitive punctuation

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Abbreviations

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Geometrical symbols

Miscellaneous symbols

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Arrows

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Alternative arrows

Languages

Abenaki, Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Arvanitic, Asturian, Atayal, Aymara, Azerbaijani, Bashkir, Basque, Belarusian, Bemba, Bikol, Bislama, Bosnian, Breton, Cape Verdean Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofán, Cornish, Corsican, Creek, Crimean Tatar, Croatian, Czech, Danish, Dawan, Delaware, Dholuo, Drehu, Dutch, English, Esperanto, Estonian, Faroese, Fijian, Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Gagauz, Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic, Guadeloupean Creole, Gwich'in, Haitian Creole, Hän, Hawaiian, Hiligaynon, Hopi, Hotcąk, Hungarian, Icelandic, Ido, Igbo, Ilocano, Indonesian, Interglossa, Interlingua, Irish, Istro-Romanian, Italian, Jamaican, Javanese, Jèrriais, Kaingang, Kala Lagaw Ya, Kapampangan, Kaqchikel, Karakalpak, Karelian, Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Kurdish, Ladin, Latin, Latino sine Flexione, Latvian, Lithuanian, Lojban, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, Māori, Marquesan, Megleno-Romanian, Meriam Mir, Mirandese, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinh-Patha, Nagamese Creole, Nahuatl, Ndebele, Neapolitan, Ngiyambaa, Niuean, Noongar, Norwegian, Novial, Occidental, Occitan, Old Icelandic, Old Norse, Onĕipŏt, Oshiwambo, Ossetian, Palauan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Q'eqchi', Quechua, Rarotongan, Romanian, Romansh, Rotokas, Sami, Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Slovio, Somali, Sorbian, Sotho, Spanish, Sranan, Sundanese, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen, Tuvaluan, Tzotzil, Uzbek, Venetian, Vepsian, Volapük, Võro, Wallisian, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wiradjuri, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Zapotec, Zarma, Zazaki, Zulu, Zuni

About

Hazel is a high-contrast stencil serif born from a tension between inheritance and disturbance. Initially conceived with “Times-and-alike” classics in mind
—particularly for their contrast, rhythm and density on the page—the design quickly began to drift away from its origins. Familiar structures were cut into, opened up, and gradually transformed, allowing sharper gestures and more radical forms to surface.

The stencil logic plays a central role in this process. Rather than functioning as a mere technical constraint, the cuts act as fractures: they interrupt continuity, introduce light, and sharpen the overall texture of the typeface. Taut curves, narrow joints and blade-like terminals give Hazel a crisp, almost unsettling presence, where elegance and tension coexist.

In 2025, Hazel returned to the drawing board for an extensive redesign. Letterforms, spacing, kerning and OpenType features were all carefully reworked, not to smooth out the design, but to refine its internal logic and strengthen its coherence. An italic companion was also introduced, extending the family with a more fluid yet equally incisive voice.

Today, Hazel Display reveals its full character at large sizes, where contrast and cuts can unfold with precision. Yet its open counterforms and controlled stencil interruptions allow the typeface to remain legible and vibrant at smaller point sizes—bringing clarity, tension and a subtle inner glow to the text.

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